Mbangu Sickness Masks | Pollitt Collection |
Pollitt Collection |
Pollitt Collection |
The loss of faith in humanity in the late 1940s was such that the human image in art became increasingly difficult to portray. The existential despair expressed by Jean-Paul Sartre in Nausea at the beginning of WWII, 1938, found a visual counterpart in the early 1960's in the images of despair and alienation of Francis Bacon.
In Edinburgh in 2005, John Berger described Bacon as the 'prophet of a pitiless world':
"He repeatedly painted the human body, or parts of the body, in discomfort or agony or want. Sometimes the pain involved looks as if it has been inflicted; more often it seems to originate from within, from the guts of the body itself, from the misfortune of being physical."
Personally, I believe it comes from a sense of being regarded by the
public as a homosexual pervert, a weirdo with mental-illness and sexual
preferences different from the rest of the world. Growing up for Bacon
must have been cripplingly difficult, feeling as I'm sure he did, such
an outsider. The relevence of these works are vital as they were created
after the Wolfenden Report of 1957 and at the time Britain
decriminalised homosexual acts in private in 1965.
Homosexuality and PsychologyMbangu Sickness Masks | Pollitt Collection |
Psychology was one of the first disciplines to study homosexuality as a discrete phenomenon. Prior to and throughout most of the 20th century, common standard psychology viewed homosexuality in terms of pathological models as a mental illness. That classification began to be subjected to critical scrutiny in the research, which consistently failed to produce any empirical or scientific basis regarding homosexuality as a disorder or abnormality. As a result of such accumulated research, professionals in medicine, mental health, and the behavioral and social sciences, opposing the classification of homosexuality as a mental disorder, claimed the conclusion that it was inaccurate, and that the DSM classification reflected untested assumptions that were based on once-prevalent social norms and clinical impressions from unrepresentative samples which consisted of patients seeking therapy and individuals whose conduct brought them into the criminal justice system.
Francis Bacon | Study of Isabel Rawsthorne, 1966 |
Francis Bacon | Portrait of Lucian Freud |
Freud believed treatment of homosexuality was not successful because the individual does not want to give up their homosexual identity because it brings them pleasure. He used analysis and hypnotic suggestion as treatments, but showed little success. It was through this that Freud arrived at the conclusion that homosexuality was "nothing to be ashamed of, no vice, no degradation, it cannot be classified as an illness, but a variation of sexual function." He further stated that psychoanalysts "should not promise to abolish homosexuality and make normal heterosexuality take its place," as he had concluded in his own practice that attempts to change homosexual orientations were likely to be unsuccessful. While Freud himself may have come to a more accepting view of homosexuality, his legacy in the field of psychoanalysis, especially in the United States viewed homosexuality as negative, abnormal and caused by family and developmental issues. It was these views that significantly impacted the rationale for putting homosexuality in the first and second publications of the American Psychiatric Association's DSM, conceptualizing it as a mental disorder and further stigmatizing homosexuality in society.
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