Friday, 18 September 2015

Atiku Jelili Shapes The Future of West African Art.

Prince Claus Laureate for Jelili Atiku, others

Prince Claus Laureate for Jelili Atiku, others
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Any artist whose works fail to connect with his society cannot lay claim to be successful even if he rises to be regarded as artist in his field. Atiku Jelili, the outstanding artist is one who understands this maxim and made it guard his long performance art career. He is among 11 recipients chosen from other parts of the world for the 2015 Prince Claus Laureate where 250 people were invited to make nominations. A total of 103 nominations were received and researched by the Bureau. He and others will be decorated with the laureate in a ceremony in December at the Royal Palace in Amsterdam in the presence of members of the Royal Family and an international audience.

Also, the Prince Claus Awards will be presented to the recipients at ceremonies in their respective countries by the Dutch Ambassadors. Atiku will receive the laureate for creating a new artistic language combining Yoruba traditional art forms with international performance practice. Largely known for his prowess in engaging the society with strange costume, sometimes scaring live performance, Atiku constantly put his art at service of the prevailing concerns of times mostly issues that is threat to human existence. He would perform in market place, streets, public space and the likes. His performance ranges from emotional, trauma, climate change, poverty, war among others.

According to a statement from Prince Claus website states: “Jelili Atiku Nigeria, Performance Art (1968, Ejigbo, Lagos) is an imaginative performance artist whose provocative spectacles use striking attire, unsettling body language and unusual props to open up dialogue and influence popular attitudes. He drops himself right into the heart of Lagos, into the realities of the streets, of densely populated, poor areas, and entices people to interact and respond to his visual presentations.”

The release further stated, “Rooted in Yoruba performance traditions, Atiku brings local elements to international performance practice, creating an extraordinary mix of action, symbolism, storytelling, disguise, costume, colour coding and theatricality. A rigorous researcher, his subjects include commentary on Nigerian human rights in the Assassination of a Political Prisoner; politically charged critiques of the ruling class and Boko Haram; site-specific interventions on climate change, e-waste and fuel subsidies; and Araferaku (loosely translated as A Part of Me is Missing), a moving personal eulogy to his father.

“Breaking new ground in contemporary performance art in Nigeria, Atiku’s sustained experimentation is pushing the boundaries of artistic communication and strengthening public understanding, participation and appreciation. He is an inspirational figure for younger generations and a voice of the future. Jelili Atiku is awarded for creating a new artistic language combining Yoruba traditional art forms with international performance practice; for his thought-provoking performances that challenge assumptions and stimulate dialogue in an unconventional and dynamic form of community education; for taking personal and artistic risks in order to open new possibilities and reach wider audiences; and for his pioneering dedication to establishing space for contemporary performance art in Nigeria.”

Atiku expresses his excitement for winning the prestigious laureate. “I feel extreme happy that l am among the recipients of 2015 Prince Claus Laureate and more importantly I feel proud of my culture, the achievements of Yoruba Progenitors and all the people who have contributed to the creative energy of the race, Yoruba and all others tribes in Africa. It is a pride to have been born and living in Lagos, the most populous city in Africa.”

The Cameroonian filmmaker, Jean-Pierre Bekolo is among the recipients. An avant-garde filmmaker and socio-cultural activist to the core, his imaginative work overturns stereotypes of Africa and African cinema.

An advocate of artistic freedom, Bekolo is committed to realising Africa’s philosophies and cultures. He is awarded for his creative resistance, irreverence and eclectic African reworking of dominant cinema conventions; for creating a unique body of innovative work that both entertains and transmits profound socio-political messages; for his highly original aesthetics; for challenging misrepresentations of African cultures; and for re-affirming the power of film.

The Prince Claus Principal award was won by Newsha Tavakolian, from Iran. Tavakolian, is a visual art, photography, Media and Journalism extraordinaire, her work offers a compelling insider’s perspective on contemporary life in Iran and the Middle East.

Putting people at the centre of her practice, she fuses artistic work and documentary reportage to create intimate portraits and unexpected human stories that enable an individual to look deeply inside societies. Fearlessly recording events in often dangerous situations, her photographs have been widely published in international media. When it became difficult to work as a photojournalist in Tehran after the 2009 elections, Tavakolian searched for quieter, more allegorical ways to evoke Iranian realities.

Tavakolian is awarded for her beautiful and moving testimony of the complexities and ambiguities of contemporary Iran; for effectively combining photojournalism and art in a potent visual language; for her commitment to women’s voices and her support of young photographers; for courageously persevering in conveying social and political realities of Iran’s history and culture, providing critical insight; and for evoking human bonds through photography, creating intercultural understanding and compassion. Another recipient is Latif Al-Ani, lraq, whose work provides a unique record of everyday life in Iraq from the 1950s to the 1970s.

Al-Ani is awarded for creating an extraordinarily rich and multi-layered archive of unique historical images of Iraqi society; for providing Iraqis and the world with an essential memory bank that bears witness to the modern, prosperous and forward-looking country Iraq was before the devastation of the Gulf War; and for his leadership in the development of documentary photography in Iraq. Theatre group from Zimbabwe, Amakhosi, is also among the recipient.

The group combines local performance styles incorporating dance, comedy and song with international theatre traditions in their productions. Amakhosi is awarded for its engaging, humorous and perceptive portrayals of the struggles of ordinary people; for mentoring and supporting critical voices and empowering people to shape their own future; for extraordinary resilience in upholding the value of art in society; for putting the needs of the community at the heart of their activities; and for creating courage, reflection and laughter in a difficult context.

Other recipients include Etcetera, Argentina/Chile; Perhat Khaliq, China; Fatos Lubonja, Albania; Ossama Mohammed, Syria; Oksana Shatalova, Kazakhstan and Y’en a Marre, Senegal. The Prince Claus Awards honour outstanding achievements in the field of culture and development. The awards are presented annually to individuals, groups and organisations whose cultural actions have a positive impact on the development of their societies.

Wednesday, 16 September 2015

Bonhams Contemporary African Art Sale

Africa Now | Contemporary Africa

15 Oct 2015, starting at 14:00 BST.


Recommendations for what to buy at the African Art Sale at Bonhams in October 2015

Video of the Tunisian Artist | Abderrazak Sahli



Firstly, these works are highly undervalued by the late Abderrazak Sahli and are certainly worth considering.

AFRICA NOW



Abderrazak Sahli (Tunisian, 1941-2009)
Abstract I & II
each signed 'Sahli' (lower right)
oil on hessian laid to board
each 30 x 31cm x 12 3/16 in).(2)

 

Footnotes

  • Of Arabic ancestry, Abderrazak Sahli spent the majority of his life travelling between France and Tunisia. He embarked on a career in the visual arts in the 1960s, prompted by his friend and mentor Nejib Belkhodja, founder of the Tunis School of Art.

    Sahli's abstract paintings are inspired by the decorative patterns and design elements of North Africa's architecture. However, they also draw upon the Abstract Expressionist and Russian Suprematist art that he encountered in Paris.
    The artist strips back his subjects to their bare essentials of shape, colour and form. He described his work thus:

    "My painting is principally based on a multitude of objects and forms; it translates diversity. The clutter of objects in my canvases is nothing but a representation of the crowd, the dense crowd that is force and movement."
Lot 26
Abderrazak Sahli
(Tunisian, 1941-2009)
Abstract I & II (2)
£3,000 - 5,000
€4,100 - 6,800


and this work by Jane Alexander from South Africa.

AFRICA NOW 

Jane is one of the leading artists in South Africa and a dominant figure within the world of Contemporary African Art and the Art World in general.






Jane Alexander (South African, born 1959)
'Harbinger in correctional uniform, lost march'
inscribed with title, numbered 49/60, dated '2007' and signed (verso)
pigment inks on archival cotton rag paper
46 x 56cm (18 1/8 x 22 1/16in).(image size)
unframed

 

Footnotes

  • Born in Johannesburg, Jane Alexander works primarily in sculpture, installation and photomontage. Her figures are characterised by ambiguity; neither one thing nor the other, they are in a constant state of mutation. Her best-known work, Butcher Boys in the collection of the South African National Gallery, tackles the history of apartheid and the politics of so called 'integration'. The boys' features are an amalgamation of the human and bestial. The sculpture is an uncomfortable reminder of our tendencies towards violence and oppression.

    The figure of the 'Harbinger' is a recurring motif within Alexander's oeuvre. The harbinger is a messenger, a portent of things to come. He is monstrous and grotesque, but simultaneously fascinating. Our fears for the future are balanced by an equally powerful curiosity. An edition of the current photomontage was part of Alexander's exhibition Surveys (from the Cape of Good Hope), organised by the Museum of African Art in New York. Alexander created an installation of multiple sculptures, featuring a life-sized fibre-glass harbinger. The sculpture was adorned with the same green overcoat and skull helmet that he wears in the present lot; here too he was depicted skirting around a high wire fence on his walking sticks.

    Holland Cotter writes of the artist's sculptures: "They aren't saints or angels, though some, in their odd way, do look angelic. They're more closely related to the marginal creatures carved on high corbels and capitals in medieval churches: half-hidden, half-human, half-bestial things, refugees from the subconscious, defectors from dreams, staking claim to turf in the spiritual realm."

    Bibliography
    P. Savage (ed.), Making Art in Africa 1960 – 2010, (Surrey and Burlington, 2014).
    Lot 53
    Jane Alexander
    (South African, born 1959)
    'Harbinger in correctional uniform, lost march' (image size) unframed
    £3,000 - 5,000
    €4,100 - 6,800

TRIBAL ART SALE | CHELSEA, LONDON



Lot 459 - Estimated £400 - £700 - PUNU-LUMBO SPIRIT FACE MASKS, five various from Gabon, Central Africa, carved wood, all but one white whitened faces, largest 38cm H, plus three display stands



Lot 460 - Estimated £150 - £250 - KUBA FACE MASK, D.R. Congo, carved wood, 66cm L x 18cm W maximum.


Lot 461 - Estimated £400 - £700 - DOGON TOGU'NA POST, Mali, of traditional form, carved figure, 182cm H, with bespoke stand.


Lot 462 - Estimated £600 - £900 - GREBO & KRU FACE MASKS, three various, from Cote D'Ivoire, with four eyes (2) and six eyes (1), largest 63cm H, plus a stand

Lot 463 - Estimated £400 - £700 - DOGON TRIBE FACE MASKS,Mali, three various carved wood, one the face of a monkey, another with bird surmount, the third a thin face, largest 56cm H.

 
Lot 464 - Estimated £150 - £250 - GURUNSI FACE MASK, Mossi people, Burkino Faso, carved in the form of a hornbill chased by a crocodile, carved wood with painted highlights, 83cm H, with display stand.




Lot 465 - Estimated £350 - £500 - KUBA SKIRT/LONG TEXTILE,

of substantial length worked panels with geometric designs,

embellished with cowrie shells, approximately 360cm x 85cm.


Lot 466 - Estimated £250 - £450 - DAN TRIBE STILT MASK, 
carved wood enclosed by a padded leather headdress ornamented 
with  horns, bells and cowrie shells, 36cm H x 37cm, plus a stand.


Lot 467 - Estimated £150 - £250 - DOGON GRANARY DOORS,

MALI, four various wooden examples carved traditional designs,

largest 39cm H x 31cm



Lot 468 - Estimated £200 - £400 - LARGE SONGYE KIFWEBE FACE MASK,
 D.R.Congo, carved wood in traditional form with hooded eyes and
striped detail, heightened in white, 58cm H, plus a stand.






Lot 469 - Estimated £250 - £450 - NUNA DANCING MASK,

from the Mossi people, Burkino Faso,carved wood in the form

of a hornbill bird, highlighted with traces of paint, 88cm H max


 

Lot 491 - Estimated £500 - £700 - DAN PEOPLE CEREMONIAL STILT MASK,

carved wood with a surround of coloured padded cloth, ornamented

with cowrie shells, grasses and feathers, plus stand.



Lot 492 - Estimated £150 - £250 - FANG FACE MASK,

carved wood heightened in white, approximately

61cm H x 20cm W maximum, plus stand.



Lot 493 - Estimated £500 - £700 - DAN PEOPLE

MASTER OF CEREMONIES STILT MASK,

carved wood with canvas and rope surround and drape,

ornamented with cowrie shells,

approximately 43cm H x 32cm W, plus double stand.





Lot 494 - Estimated £1500 - £2000 – ROYAL KUBA HEADDRESS,

circa 1940's, carved wood, ornamented with coloured beads,

cowrie shells, cola nuts and monkey hair,

approximately 35cm H x 24cm W, plus stand.



Lot 494A - Estimated £200 - £300 - BOBO BIRD FACE MASK,

carved wood with long beak, worked geometric decoration

heightened in white, approximately 71cm H x 14cm W.



Lot 495 - Estimated £800 - £1200 - KINGS GUARDIAN FIGURE,

Mumuye tribe, Eastern Nigeria, carved wood, standing, 96cm H.




Lot 496 - Estimated £300 - £500 - BOBO BIRD HEAD MASK,

Burkino Faso carved wood with geometric decoration,

heightened in white, approximately 71cm H x 30cm W, plus stand.




LOTS ROAD AUCTIONEERS | TRIBAL ART SALE

View Map

71 Lots Road Auctions,
Chelsea,
London,
SW10 0RN.
Tel: +44 (0)20 7376 6800
Fax: +44 (0)20 7376 6899
Email: info@lotsroad.com

Date: SUNDAY 20th SEPTEMBER 20015 

Time: 3pm

WEBSITE: LOTS ROAD SELECT TRIBAL ART